Prior to Sundance, Emily worked in short film acquisitions and distribution at Wholphin, a DVD magazine from McSweeney’s. She’s also worked for the San Francisco International Film Festival and Aspen ShortsFest. Emily is originally from Massachusetts, she studied Film & Literature at Kenyon College in Ohio, and now lives in the Bay Area with her family. Adam Piron (Kiowa & Mohawk) is a member of the Sundance Film Festival’s Short Film programming team and is the assistant curator for film at The Los Angeles County Museum of Art (LACMA). He has also programmed films for AFI Fest and Film Independent’s LA Film Festival. From 2014 to 2017, he served as a Manager for Sundance Institute’s Native American and Indigenous Film Program.

She has been a programming fellow for Film Independent’s Project Involve and the Film Society of Lincoln Center’s Industry Academy. Join us January 18–28, 2024 as we celebrate independent storytelling both in person and online at the 40th edition of the Sundance Film Festival. Notable festivals include the Hong Kong International Film Festival (HKIFF), Busan International Film Festival (BIFF), Kathmandu International Mountain Film Festival, Melbourne International Film Festival (MIFF) and World Film Carnival Singapore. Other high-profile documentaries include “Girls State,” a companion piece to “Boys State” from Apple, and fresh takes on the musical acts Devo and Luther Vandross. “Will & Harper,” from the “Strays” director, Josh Greenbaum, chronicles Will Ferrell’s road trip across America with Harper Steele, a “Saturday Night Live” veteran and his close friend of 30 years who is coming out as a trans woman. Another Sundance veteran, Richard Linklater, will show “God Save Texas,” an anthology documentary series that highlights his perspective on his home state as well as that of his fellow filmmakers Alex Stapleton and Iliana Sosa.

Quenamá now plans to make a fiction inspired by the last female shaman of her community and a documentary about her people’s food culture. “The audiovisual enters your heart and, little by little, you see yourself blossoming,” she says. With Indigenous ways of life systematically attacked and communities often torn apart, Montahuano believes the screening of these films in Indigenous territories can create a sense of alliance. Among this year’s more unsurprising attractions is “Maestro,” an intimate, energetic, largely politics-free and scrupulously well-behaved look at the different lives — both on and off the podium — of Leonard Bernstein ( ).

Film Funding competitions such as Writers and Filmmakers were introduced when the cost of production could be lowered significantly and internet technology allowed for the collaboration of film production. Mark Olsen and Justin Chang reflect on the return to an in-person Sundance — and (at least) 19 films to keep any eye on in 2023. One-of-a-kind moments highlight new independent works that add to the unique Festival experience. The festival is bound for Park City and Salt Lake City from January 18 through 28.

RIFFA annual Award show and red carpet arrival event is getting noticed in the contemporary film and fashion industries in Western Canada. A few film festivals have focused on highlighting specific issue topics or subjects. Some examples include military films, health-related film festivals, and human rights film festivals.

“Pictures of Ghosts,” the latest from the Brazilian writer-director Kleber Mendonça Filho (“Bacurau”), is a deeply personal, intricately constructed meditation on, well, everything, though mostly movies or rather his life in and with movies. Divided into three fluid chapters and set at the intersection of documentary and fiction, it wistfully yet playfully focuses on the apartment, the city (Recife) and the movie theaters that Mendonça Filho inhabited and that, in turn, sustained and inspired him. http://trymarketingonline.com/ There’s an elegiac cast to “Pictures of Ghosts” — most of the once-bustling cinemas are now derelict as are his old stamping grounds — yet the vigor of the filmmaking is a testament to how our beloveds never truly leave us. Irene Suico Soriano has curated community-centered Filipinx and AAPI film programs in Los Angeles since 1999. She was part of the inaugural cohort of Outfest Fusion QTBIPOC FF’s 2022 Film Programming Fellows Program (In partnership with the Programmers of Colour Collective).

• First-time filmmakers make up 40 percent of this year’s program, with anticipation building for Wang, a Sundance Institute alumnus, whose “Didi” centers on an impressionable 13-year-old Taiwanese American boy.
• Set in 1987, the film follows The Town’s underdogs in four bizarre tales at the behest of an enigmatic force.
• Phoenix PurnellAn aquatic exploration of key characters from acclaimed films, drawing similarities between returning characters and tropes from movies about the deep blue sea.
• In Darren Aronofsky’s new drama, Fraser wears a prosthetic bodysuit to transform into a 600-pound shut-in named Charlie, who attempts to reconnect with his angry daughter (Sadie Sink) as his health falters.

She has also programmed for Palm Springs ShortFest, Full Frame Documentary Film Festival, LA Film Festival, IDA’s Getting Real Conference, and has also contributed to festival and funding juries. As director of the Center for Documentary’s DocX initiative at Duke University, she launched the interdisciplinary DocX Archive Lab Fellowship for BIPOC documentary artists. Owens strives to cultivate spaces that encourage and uplift artists developing their own language to tell stories and push the boundaries of form. The Edinburgh International Film Festival, founded in 1946, is the world’s oldest continually running film festival. The Vancouver International Film Festival, founded in 1958, is one of the largest film festivals in North America. Oscar nominee and fellow Sundance alum Yance Ford (“Strong Island”) is back with Premieres section documentary “Power,” examining the scope and history of policing in America.

After major film festivals in Venice, Telluride and Toronto, where most of the year’s remaining prestige films have screened, the awards season has finally begun to come into focus. The festival’s second annual iteration will once again consist of projects from filmmakers ages 14 to 24 in the Reel Works community. That includes original projects produced through the nonprofit’s Documentary and Narrative Lab programming, alongside the premiere of movies from the inaugural Supported Summer Lab, a workshop that supports neurodivergent teens in developing their own original films.

Discovery is what the festival has always been and remains about, going back to Soderbergh’s splashy debut and even before that. Still, it doesn’t hurt that top Oscar-nominated talent including Kristen Stewart and Steven Yeun (Love Me), Saoirse Ronan (The Outrun), Michael Fassbender (Kneecap), and Chiwetel Ejiofor (directing Rob Peace) are among the faces starring in this year’s program. “How do we help launch a film that a studio has taken a chance on with a first-time filmmaker, and how do we help those films get seen by larger audiences?

Prior to joining the Institute, he spent five years at Imagine Entertainment, where he worked on shows such as Arrested Development and 24. He is a firm believer that filmmakers are under no obligation to stick to any previously-established rules with regards to zombies, vampires, werewolves or Frankenstein. The Mumbai Women’s International Film Festival (MWIFF) is an annual film festival in Mumbai featuring films made by women directors and women technicians. The Sundance Film Festival founded by Sterling Van Wagenen (then head of Wildwood, Robert Redford’s company), John Earle, and Cirina Hampton Catania (both serving on the Utah Film Commission at the time) is a major festival for independent film. To Kim Yutani, the director of programming, the number of unsold films is a positive sign. “It’s really encouraging just to know that we can convene the industry in Park City and know that there’s a lot to be discovered and hopefully be bought and go on to meet other audiences beyond Sundance,” she said.